In The New York Times, Danielle Trusonni reviews The White King

In “History and Utopia,” the Romanian philosopher Emil Cioran speculated about whether it’s “easier to confect a utopia than an apocalypse.” Utopia and its discontents, so central to Eastern European writers, are central to Gyorgy Dragoman’s darkly beautiful novel. A scathing portrait of life in a totalitarian society, “The White King” is both brutal and disarmingly tender. Dragoman’s answer to Cioran’s question is plain: Utopia creates its own hell.

The full piece is here.